Quick Conversion Table
| Brand | Equivalent | Match |
|---|---|---|
| Anchor | 214 | close |
| Madeira | 1310 | close |
| Cosmo | 317 | close |
| J&P Coats | 6016 | close |
| Dimensions | 6051 | close |
| Bucilla | 1368 | close |
| Candamar | 6051 | close |
DMC 368 Light Pistachio Green: The Highlight That Makes Foliage Glow
There's a specific moment in a botanical cross-stitch piece when it comes to life: when you add the highlight color to leaves that have been filled with mid-tones and shadows. DMC 368 Light Pistachio Green is the highlight color for a huge proportion of floral and nature designs, and for good reason. At hex #90C5A0, it's a fresh, clear light green — bright without being harsh, warm without being yellow, with just enough intensity to create a convincing illusion of sunlight on leaf surfaces.
Light pistachio occupies the same chromatic position as the rest of its family — warm-green rather than cool-green or neutral-green — but at this lighter value, the warmth reads more as freshness than as earthiness. It has the quality of new spring leaves, the particular bright green of a backlit fern frond, or the color of a pistachio shell itself before it dries to a more muted tone. It's inherently cheerful without being aggressive.
The contexts where DMC 368 appears most frequently:
- Leaf highlights in botanical designs: The lit upper surfaces of leaves in a three-dimensional rendering use 368 for the highlight step, above the fill value of 320 and below the sky-reflection brightness of 369.
- Spring and Easter designs: The fresh, new-growth quality of 368 makes it perfect for spring-themed pieces. Easter egg fillers, spring garlands, baby shower designs — 368's brightness signals new life and the season.
- Lily of the valley and small flowers: The delicate stems and tiny leaves of miniature floral designs need a light green that reads at small scale. 368 provides enough saturation to be visible as green even when worked in a single strand on fine-count fabric.
- Vine and tendril accents: Wrapping vines and curling tendrils in decorative borders are often worked entirely in 368 as a bright accent against darker foliage.
In cross-stitch kits for floral designs, 368 and 369 are among the colors that run out fastest. The highlight and lightest values in gradient sequences get used in smaller quantities per stitch than shadow colors, but they appear in many places across the design — the bright tip of every leaf, every vine highlight, every unfurling tendril. If your kit includes only one skein of 368, use it efficiently: prioritize the most visible leaves in the focal area of the design before moving to background foliage.
DMC 368 also works well as a standalone non-gradient color. For designs that don't require the full five-step pistachio sequence — simple geometric patterns with a botanical theme, for instance, or quick holiday ornament kits — 368 alone can represent the entire green element with a pleasant freshness that neither too-dark nor too-light greens achieve.
Paired with pink tones, 368 is a classic combination in traditional cross-stitch. The pink-and-green pairing appears in everything from Victorian Berlin woolwork to modern pastel wedding samplers, and the specific combination of DMC 368 with mid-range pinks like DMC 3326 or DMC 776 is practically a signature of the genre.
Substituting DMC 368 Light Pistachio Green
Light warm greens need careful matching because at lighter values, small differences in temperature — cool versus warm — become more visible than they would be in mid-dark colors.
Anchor 214 is the standard conversion and a close match. It covers the light warm-green range adequately for the highlight and accent applications where 368 most commonly appears.
Madeira 1310 is a close match. Madeira's light greens are generally reliable, and 1310 should be suitable for botanical highlight work.
Cosmo 317 is a close match (note: this Cosmo number is independent of DMC 317, which is a gray).
- At light values, the difference between a warm and a cool green becomes very visible. Before substituting 368, confirm the warmth of the alternative thread — a cool light green substituted for a warm one in a botanical design changes the whole character of the foliage.
- For spring-themed designs where 368 is a primary color rather than part of a gradient, finding a close match matters more than for shadow and fill positions. The highlight is where the eye naturally focuses.
How DMC 368 Looks on Fabric
The same thread appears different depending on your fabric. Always test on your project fabric.
White Aida
Cream / Ecru
Black Aida
Pairs Well With
DMC colors commonly used alongside 368 Light Pistachio Green.
Suggested Palette
Shading Companions
Detailed Conversions
Where to Buy DMC 368
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